December 2010
34 posts
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Art Since 2000: Notes on Dimensional Time [Game... →
art-since-2000:
NOTES ON DIMENSIONAL TIME [GAME DESIGN] > ART SINCE 2000 THE DECADE THAT WAS [2] [An American Memorial] [SYNOPSIS]: The financial sector, the corporate syndicate and the superclasses consolidate a stranglehold on the whole wide world, and avoid any responsibility for the…
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Notes on Dimensional Time [Game Design][AS2000-THE...
NOTES ON DIMENSIONAL TIME [GAME DESIGN] > ART SINCE 2000 THE DECADE THAT WAS [An American Memorial] [SYNOPSIS]: The financial sector, the corporate syndicate and the superclasses consolidate a stranglehold on the whole wide world, and avoid any responsibility for the collateral damage, which is cataclysmic. [REALITY]: The infrastructures of tyranny have never been more precariously...
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ART SINCE 2000 [Jerry Saltz][artStar]
[A response to “My Jerry Saltz problem” by James Panero for The New Criterion]
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[On art criticism in the age of the internet.]
[Original Text]:
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Once upon a time in the land of print journalism, the publication of an article was the end of the story. Whether a feature or a review, it was all the same. You signed off on your piece, and your grateful editor sent it to a...
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Art Since 2000: ART SINCE 2000 [Don Judd][War... →
art-since-2000:
The following quotes appeared on a typewritten print (22x 17”) in a signed and unlimited edition which was offered for the benefit of the War Resisters League in 1971. De Tocqueville: All those who seek to destroy the liberties of a democratic nation ought to know that war is the surest…
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Art Since 2000: ART SINCE 2000... →
art-since-2000:
ExAbNY [12] Aura 4 Comparisons between or among exhibits improves qualitative evaluations of elements and arrangements. Content and context for art are problematic terms today, due to the oppressive interventions of media monopolists, who use the terms to reduce anything they consider…
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AFH Artist Portrait Project [NYC 2010][Liv Mette...
CLICK THE IMAGE TO VIEW THE ENTRY AT THE AFH ARTIST PORTRAIT PROJECT SITE.
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Liv Mette Larsen’s paintings emerge from accumulations of spontaneous sketches in which encounters with landscapes, architecture and people reverberate. Since the late 1970s Berlin has been the Norwegian painter’s home base. After studying art in culturally-conservative Oslo, she was confronted with...