[April 15]
Dimensional Time paintings in progress in AFH Studio
The paintings are evolving as a series of relatives. The colors are batch-applied. Dimensional composite strategies are in play. The object/subject [the printed dimensional time construct] is now emerging as a formal device for anchoring optical effects, such as push/pull, opacity variances, liquid effects, etc. The brush/pigment applications are modified/watercolor or -/classical layering methods, mostly relying on Guerra Paint mixtures.
